Now Exhibitions

Outpost Office

Columbus Premiere

Overhead view of a tree grove with ribbon-like pink, yellow, and white lines painted on the grass. The triangular grove is bounded by paths and buildings.

Interact with the Wexner Center’s interior and exterior spaces in unexpected ways with new Wex-commissioned installations by Columbus-based practice Outpost Office.

Led by Ashley Bigham and Erik Herrmann, assistant professors at Ohio State’s Knowlton School, Outpost Office designs installations, events, and buildings that challenge architecture’s tendencies toward permanence and accumulation. They do so by embracing an impermanent, open-ended, and responsive practice. In that spirit, their Wexner Center–commissioned work unfolds in several phases.

Beginning in late August 2023, the first phase includes the large-scale project Drawing Fields No. 7. A GPS-controlled robot will paint yellow and lavender curvilinear patterns on the tree-lined Wex plaza lawn. Part of an ongoing series, the project employs techniques of algorithmic creativity. A playful entry to campus, the drawing provides a respite to the rigorous geometry of the nearby Wexner Center, weaving vibrant threads of color to activate the grove with loose wefts and warps. Inherently ephemeral, the patterns disappear over several weeks with growth, rain, and sun.

In November 2023, Outpost Office will add a subsequent installation, Color Block No. 2. This large-scale, modular furniture activates various in-between spaces both inside and outside the Wexner Center. People are encouraged to interact with the pieces, rather than simply viewing them, changing the dynamic usually experienced in a gallery or museum. The installation challenges both conceptual and physical institutional boundaries. Museum architecture often imposes divisions between gallery spaces and public areas. This division is blurred in the Wexner Center’s building. Exhibition spaces and architectural features converge, making the Wexner Center a milestone in postmodern architecture. New spaces created by Color Block No. 2 extend these characteristics. These spaces for collaboration, socializing, and informal learning draw visitors’ attention from the building’s exterior to its interior. 

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Overhead view of a tree grove with ribbon-like pink, yellow, and white lines painted on the grass. The triangular grove is bounded by paths and buildings.

Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and nontoxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Outpost Office.

Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and non-toxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Outpost Office.

Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and nontoxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Phil Arnold, Knowlton School, Ohio State.

Overhead view of a tree grove with ribbon-like pink, yellow, and white lines painted on the grass. The triangular grove is bounded by paths and buildings.

Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and nontoxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Outpost Office.

An adult and child walk on a lawn painted with pink, yellow, and white lines. The lines curve around the trees and overlap one another.

Outpost Office, Drawing Fields No. 7, 2023. Water-soluble and nontoxic paint applied by GPS-controlled painting robot. Courtesy of Outpost Office. Photo: Outpost Office.

Figurines sit and stand in a white space featuring large, white and beige geometric, architectural elements with neon yellow plus signs on them.

Outpost Office, Color Block (detail). Installation concept for Wexner Center for the Arts, 2023. Courtesy of Outpost Office. Photo: Outpost Office.

Overhead view of figurines in a mock-up of the Wexner Center’s lower level. They interact with geometrically shaped architectural elements.

Outpost Office, Color Block. Installation concept for Wexner Center for the Arts, 2023. Courtesy of Outpost Office. Photo: Outpost Office.

An architectural mock-up. Colorful, geometric design elements are arranged in a square within a courtyard. Miniature figures stand on the blocks.

Outpost Office, Color Block, 2020. Courtesy of Outpost Office. Photo: Outpost Office.

An architectural mock-up. Colorful, geometric design elements are arranged in a square within a courtyard. Trees are in the background.

Outpost Office, Color Block, 2020. Courtesy of Outpost Office. Photo: Outpost Office.

Overhead view of field with painted schematic design element of Ragdale campus in Illinois. People, trees, and buildings are visible.

Outpost Office, Drawing Fields, 2020. Courtesy of Outpost Office. Photo: Outpost Office

Ashley Bigham and Erik Herrmann lit with purple light. Bigham is white and has long reddish hair. Herrmann is white and has short dark hair and glasses.

Outpost Office. Photo: Julie Rae Powers.

More about the artists

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Outpost Office was named one of Architect magazine’s Next Progressives and has completed several artist residencies at institutions including Headlands Center for the Arts, Sausalito, California; MacDowell, Peterborough, New Hampshire; and Loghaven Artist Residency, Knoxville, Tennessee. Their ongoing robotic painting series Drawing Fields has been recognized with design awards, including a Best of Design Award from the Architect’s Newspaper. Outpost Office has been featured in such publications as Log, Metropolis, Mark, Surface, and Avery Shorts, and their work has been exhibited at venues including the Chicago Architecture Biennial; the Milwaukee Art Museum; the Tallinn Architecture Biennale, Estonia, and Roca London Gallery, UK. Learn more on the Outpost Office website.

Outpost Office is organized by the Wexner Center for the Arts and curated by Head of Exhibitions Kelly Kivland.​​

THIS PRESENTATION MADE POSSIBLE BY
Ohio State’s Integrated Physical Planning Liaison Group

EXHIBITION 2023–24 SEASON MADE POSSIBLE BY
Bill and Sheila Lambert
Carol and David Aronowitz
Crane Family Foundation
Mike and Paige Crane 

FREE GALLERIES MADE POSSIBLE BY
American Electric Power Foundation
Mary and C. Robert Kidder 
Bill and Sheila Lambert

ADDITIONAL SUPPORT FOR FREE GALLERIES PROVIDED BY
Adam Flatto
CoverMyMeds 
PNC Foundation

WEXNER CENTER PROGRAMS MADE POSSIBLE BY
Ohio Department of Development
Greater Columbus Arts Council
The Wexner Family
Institute of Museum and Library Services
Ohio Arts Council
CampusParc
Ohio State’s Global Arts + Humanities Discovery Theme
The Columbus Foundation
Nationwide Foundation
Vorys, Sater, Seymour, and Pease

ADDITIONAL SUPPORT PROVIDED BY
Mike and Paige Crane
Axium Packaging
Nancy Kramer
Ohio State Energy Partners
Ohio History Fund/Ohio History Connection 
Larry and Donna James
Bruce and Joy Soll
Jones Day
Alex and Renée Shumate

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Now Exhibitions

Outpost Office